Tuesday 5 January 2016

Streetcar Named Desire: Key Narrative Moments + 1st impressions:


Top 10 Most Memorable Moments:



  • Blanche's arrival.
  • Poker night.
  • Stanley hitting Stella.
  • Blanche's date with Mitch.
  • Stanley throwing the package of meat at Stella at the beginning.
  • Stanley finding out the truth about Blanche.
  • Mitch trying to rape Blanche.
  • Stanley raping Blanche. 
  • Blanche loosing her grip on reality and getting sent to an asylum

1st Impressions: 



-Stanley is an instantly striking character, his violence builds up throughout the play; beginning foreshadows his future violence.
-Our attitudes to the characters change, this character development is evident when Mitch tries to rape Blanche - he becomes more like Stanley as opposed to the gentle opposite he was throughout.
-Stanley equates Blanche's past to being a prostitute as she survived from the profits of her relationships.
-Every part is tense.
-Blanche looses Belle Reve, comes from family of wealth and property. 
-When Stanley finds this out, the audience gets some backstory.
-Blanche's ex-husband was gay, she tells him he's 'disgusting' and he kills himself, she blames herself.



Essay Lesson: Writing Introductions


  • Should consist of no more than 2 complex sentences.
  • Focus on the question!
  • Includes the 'ways', what you will focus on in the essay.
  • Contextualise the main poem. 

Keep it simple, keep it sweet, keep it succinct. The 3 s's. Just like chocolate, simple, sweet and to the point. 


Christina Rossetti: Poem #14: Soeur Louise de la Misericorde

Not much to say for this poem:

- Strongly influenced by William Blake, as Rossetti was.
- Title translates as Louise, sister of mercy. Who was the mistress of Louis XIV in the 17th century who entered a convent.
- Themes of reminisce (Like in 'Echo' + 'Shut Out').
- 1st person narrative stance.
- Repetition in every stanza of 'Oh vanity of vanities, desire!'.
- Hyperbolic, strange, conflicted, bitter voice who is struggling with religion?
- Selfish love, vanity, thinking of yourself.
- Impurities: 'dross'
- 'perished pleasure' alliteration, highlighting how desire fades and you are essentially left with nothing.
- Interrogative in 3rd line, again showing how obsession and desire fade.
- 1st stanza has a certain pace, caesuras.

Sunday 13 December 2015

Christina Rossetti: Poem #13: 'Winter: My secret':

GENERAL RHYME, CONTENT ETC.
- Contains common stylistic techniques of Rossetti.
-1 sided-conversation.
- Rhyme is extremely irregular, perhaps juxtaposing against the regularity of seasons? Odd pattern.
- A lot of rhyme techniques. ( STRONG internal rhyme!).
- Seems to be 1 narrator's development throughout the year (context).
-Lots of colons and semicolons, she's explaining something without explaining anything really. (Synatx) - Links to 'No, Thank You, John' due to syntax. - disjointed feel.
-Context: Winter was synonymous with death in Victorian era.
- Themes: themes of identity can be seen with the constant pronoun reinforcement. Nonsense is also a prominent theme, as the tone is playful - suggesting there is no secret after all, it's more about the act of concealment. (Curiosity is also a theme, see stanza 1 for details).
-Most stanzas are regular form but stanza 2 is much longer. - symbolic of how winter drags on?
-VOICE: playful, teasing, reticent, reprimanding, wary, cautious, possessive, coy, mischievous (Possession links to 'Shut out'), brisk, perky, slightly flirtatious, over confident (hiding something).
-Conversational genre, the addressee isn't given a voice like in 'No, Thank You, John' - undermining the addressee's power.
-Little plot.
-Contrasts to 'Shut out' due to tone of voice.


TITLE & STANZA 1:
- TITLE: The colon and the unclear 'secret' create an instant ambiguous tone.
-First line starts with rhetorical question, but it is actually not a rhetorical question because she answers it. She doesn't let character she's speaking to answer.
- The personal pronoun reinforcements displays the 1st person narrative stance.
- Stanza 1 is consisted of predominantly short sentences
- 'Perhaps' on line two, used as a teasing adverb - promoting a playful voice. This is continued at the end of the line too with another Rhetorical question, which again she answers.
'it froze, and blows and snows' assonance and consonance which begins to demonstrate a strong sense of internal rhyme - almost in a jokey sense.
-'And you're too curious: fie!' here Rossetti's narrator is almost reprimanding the reader for being too curious and that is the reason why she will not divulge her secret. This adds to the reticent and reprimanding - yet teasing - tone of the narrator, perhaps poking at themes of human curiousity and human's disappointment in everything.
- Again more pronoun reinforcement in last line of this stanza, creates a possessive tone. 'my...mine...I'.


STANZA 2:
-'suppose there is no secret after all' again the narrator is mocking the reader by supposing there's nothing to explain, thus implying that this poem is about nothing more than exciting the reader's curiosity, perhaps?
-More internal rhyme and repetition: 'today's a nipping day, a biting day'.
-'a shawl, a veil, a cloak' not only do these nouns have connotations of concealment (see themes) but a veil is also a juxtaposition to the others as it has connotations of marriage whereas the others seem to be more classically linked to spinsterhood.
-'ope' archaic diction, tradition form of 'open'.
-'and let the draughts come whistling thro'...' personification of the wind.
-A lot of internal rhyme and listing in imperative couplet: 'come bounding and surrounding me/come buffeting, astounding me'.
-The narrator is talking about winter and concealment, welcoming it almost.
-'his nose to Russian snows' contextually Russian snows were some of the coldest.
-repetition of 'peck'
-'believe....' declarative, asking for trust in her concealment?

STANZA 3:
- Lots of natural imagery - influence of Romantic poets on Rossetti - 'March...rainbow-crowned brief showers...flowers...sunless'
- A more hopeful season, tone changes.

STANZA 4:
-'languid' perhaps links contextually with how Rossetti was ill for most of her life. Weak with illness. Links summer with lethargy.
-Again a great deal of natural imagery.
-Last line: 'Perhaps my secret I may say, or you may guess' the model verbs of may and perhaps here again create the playfulness and leaves the poem on a sort of cliffhanger.
-Give hope to the addressee.

Thursday 26 November 2015

Christina Rossetti: Poem #11: 'Good Friday'

- TITLE: shows you instantly the poem is religious.
- 'Am I a stone, and not a sheep' key images, she's concerned that she's lacking in emotion/humanity. Questioning faith and emotional reaction to God. Sheep is an analogy for a follower of Jesus, as he is the shepherd.
-CONTENT: Someone is watching Christ's crucifixion but is not crying, guilt.
- Rossetti's speaker imitates Moses' exhausted tone when pleading to Christ.
- 3rd line on 1st stanza, shows the narrator to be too analytical - she is concerned with reason and fact, so doesn't have unquestioning faith.
- Poem is addressing Christ, poem is essentially a prayer.
- 'Not so... Not so...' this spondee breaks the flowing rhythm, adds to heaviness of situation.
- Themes of religion and gender.
- Iambic stresses falling on syllables that convey emotion (Like 'Song').
- Caesuras.
- 'And smite a rock' asking to be broken, asking for lack of faith to be destroyed so she can be a sheep.
- Pleading God not to give up on her.
- 'I only I' reinforcement of narrative stance in repetition of personal pronouns.
- 'o'er' archaic diction.
- Personification of 'Sun and Moon'

Christina Rossetti: Poem #7: 'A Birthday':

- Lots of natural imagery can be linked to religion + God's fulfillment - 'apple-tree' could be a symbol for the tree of life and 'rainbow' has connotations of Noah and the flood. God has fulfilled the narrator too by bringing her love to her.
- 1st stanza is centered on repetition of similes.
- Declarative tone in 1st stanza, a lot of repetition and parallelism. It also centers on nature's beauty whereas the 2nd stanza centers on luxuries. Again typical Rossetti imagery.
- 2nd stanza's first, third and fifth lines are imperatives - shows a strong and commanding voice, she's commanding the world.
- 'hundred eyes' hyperbole.
- Archaic diction - 'vair'
- Celebratory and joyous mood, lots of similes - the heart is symbolic for the self.

Sunday 22 November 2015

Christina Rossetti: Poem #10: 'No, Thank You, John:

CONTENT:

- Spirited and feisty narrator turns down suitor.

AIM + THEME:

- Themes of female identity, oppression, marriage, power-play between the sexes, narrative genre.

DICTION:

- Negative words, some imperatives, shows anger and struggle under male oppression in Victorian era, lots of alliteration, some assonance.

IMAGERY:

- Little imagery, amplifies opinions.

FORM:

- Structured, shows her strength and self-assurity. Could also be seen to be a dichotomy against her anger (disorganised emotion)

RHYME AND RHYTHM:

- ABAB, very structured.

TONE:

- angry, frustrated.

METRE:

- syllable structure = organised. 1 line of iambic pentameter per stanza? masculine stresses, shows male oppression?



-The 1st stanzas are questioning, interrogative
- But then the 3rd stanza stops questioning - she becomes firm in her opinions.
- repetition in stanza 1 shows monotony of his asking
-enjambment (links with the repetition).
-assonance (in stanza 1)
-Victorian era: changes in women's society + roles (right to vote).